Episode 19: Learning Through Play, Through Making


Over the last decade, the Maker Movement has grown into a worldwide network of people from all disciplines coming together to learn through play and through making. Eric Rosenbaum, a creative technologist with a doctorate from MIT Media Lab’s Lifelong Kindergarten group, says there’s a powerful promise in unlocking the potential that we all have to be creative makers in the existence of maker spaces and fab labs.

Eric RosenbaumEric Rosenbaum is a freelance creative technologist who combines his love for music, improvisation, making, and learning to invent new technologies for playful creation. He recently completed his doctorate at MIT Media Lab’s Lifelong Kindergarten group, with the dissertation “Explorations in Musical Tinkering.” He is co-inventor with Jay Silver of the Makey Makey invention kit.

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Episode 18: How Does Arts Funding in Boston Compare?


Earlier this year, the Boston Foundation released a study, “How Boston and Other American Cities Support and Sustain the Arts.” Julie Koo, Vice President of TDC and co-author of the report, shares key findings from the research and how Boston’s philanthropic scenes varies from other US cities.

Julie KooJuliana Koo is a Vice President at TDC, one of the nation’s oldest nonprofit management consulting and research firms. TDC works exclusively with nonprofit, governmental, educational and philanthropic organizations, providing them with the business and management tools critical to achieving mission success. Julie’s practice at TDC includes strategic business planning, program evaluation, and research on nonprofit organizations.
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Episode 16: Youth Finding a Voice, Finding a Stage


Through Barrington Stage Company’s creative youth development program, Playwright Mentoring Project, theatre is used as a catalyst to help under-served youth learn skills to aid them in developing positive self-images. Artistic Director Julie Boyd speaks to the cathartic nature of this work and to how their programs in education and theatre-making interweave.

Julianne BoydJulianne Boyd co-founded the Barrington Stage Company (BSC) in January 1995. She has directed many productions at BSC, including the world premieres of Mark St. Germain’s Dancing Lessons, Dr. Ruth, All the Way, and Best of Enemies. She also directed the critically acclaimed productions of An Enemy of the People, Much Ado About Nothing, The Crucible, Sweeney Todd: The Demon Barber of Fleet Street, A Streetcar Named Desire, West Side Story, Follies, The Game, Mack and Mabel, Cyrano de Bergerac, and The Importance of Being Earnest. In 1997 she directed BSC’s smash hit production of Cabaret, which won six Boston Theatre Critics Awards and transferred to the Hasty Pudding Theatre in Cambridge for an extended run.
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Episode 15: Playing the Long Game for Public Art


Since 1978, a formal ordinance in the City of Cambridge has required by law that they include artists in the thinking and practice of designing and building the city. Jason Weeks, Executive Director of the Cambridge Arts Council, details how their public art program has grown to become a nationally-recognized model, and a steward for 285 unique art works, the largest collection of contemporary public art in New England.

Jason WeeksJason Weeks is the Executive Director of the Cambridge Arts Council, a city department and public non-profit agency in Cambridge, MA. Weeks works with an Advisory Board, Trustees of the non-profit corporation, the Cambridge Public Art Commission, elected officials, city administration and agency staff to oversee an award-winning Public Art/Percent-for-Art program, the Cambridge Arts Grant Program, Street Performer Program, annual events including Cambridge River Festival, Summer in the City, Cambridge Open Studios, and other community based initiatives.
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